Screenplay (scene from 96 to 112) Scene 96: EXT - BASEBALL FIELD - THE JEEP - twilight
Edward put Bella in the Jeep and closed inside.
BELLA: Wait, is coming to look for?
EDWARD James is a hound. I saw in his mind. Hunting is an obsession that will never stop and my reaction has worsened the situation ...
- Wheels and scoured Edward turns with the jeep and leaves.
Beautiful pale in the face after he realized what had just happened and what could happen ...
The JEEP heels here and there along the muddy mountain road.
A journey full of potholes, dangerous, crossing a stream, up to ....
Scene 97: EXT - MOUNTAIN ROAD - NIGHT
The JEEP hurtling at full speed for road.
EDWARD: The first place they will look is at home. Follow your track up to it.
BELLA: (horrified) What? There is Charlie. E 'in danger because of me. For us!
EDWARD (so calm) So keep the hound from him. Somehow.
Then a deep sigh before a curve in the slippery mud ...
Scene 98: INSIDE - HOUSE CHARLIE '- LIVING ROOM - NIGHT
Charlie's watching a baseball game on TV when the door opens suddenly appears and Beautiful, in tears, and Edward devastated.
BELLA: I told you to leave me alone.
Edward: Bella, do not. Think about it and nothing else, please.
BELLA: Go away, it's over.
She slams the door. Charlie stood up, confused and worried.
CHARLIE: Nice? What happened?
BELLA: I have to go away from this place. Away from Forks. I'm leaving. Now.
Bella runs up the stairs. Charlie worried behind her.
Scene 99: INSIDE - BELLA'S ROOM - NIGHT
Bella slams the door behind her. Edward is already there, which makes clothes and things from his drawers, throwing them in a bag faster to what is humanly possible. Bella still leaning on the door.
BELLA: (with a pained sigh) I can not hurt him.
Edward is a look at the "you have to do" and then knock on the door.
intercut Charlie on the other side. E 'for both of us.
CHARLIE: Bells. Did it hurt?
BELLA: No, Dad.
CHARLIE: So what? Did he leave her?
BELLA: I left myself.
CHARLIE: I thought you liked it!
BELLA: That's why I must go. I do not want that. I want to go home.
EDWARD (sigh) I'll wait for the pick-up
and disappears out the window. Bella takes a strong breath to find the strength to continue his performance. Opens the door to find Charlie. He follows that up to takes his bag and the keys to the pick-up ...
Scene 100: INSIDE - HOUSE CHARLIE - SCALE (continued) - NIGHT
Bella runs down the stairs, Charlie follows.
CHARLIE: Your mother is not even in Phoenix.
BELLA: return. The name on the street.
CHARLIE: You can not drive home now. I'll take you to the airport tomorrow morning.
BELLA: I want to drive. I need time to think. I will stay in a motel. I promise.
Scene 101: INSIDE - CHARLIE HOUSE - LIVING ROOM (CONTINUOUS) - NIGHT
Bella reaches behind the living room with Charlie her. It 's almost to the door, but Charlie stops.
CHARLIE: Bells, I know that you've been very close, but I'll change. We can do many things together.
takes a breath, hating for what was about to say.
BELLA: How to watch more games on TV? Or go to the Coffee Shop? Ste sse people, the same steak, the same cake every night? This is you, Dad! Not me!
This hard hitting Charlie. Bella can barely stand ...
CHARLIE: Nice ... She wanted you back only.
This breaks my heart to Bella ... and forces her to say his last words.
BELLA: If you do not go out now, I'll do the same fate of her mother.
Charlie is stunned and upset. Bella takes advantage of its shock, and pushing it through and out the door.
Scene 102: EXTERNAL - CHARLIE HOUSE - NIGHT
Bella comes out, goes to pick-up. The tears fall on his face.
BY FOREST
trees, the branches ... a couple of mortal eyes:. James. He watches from afar while Bella goes. The pick-up side ... and so does James, leaving Charlie alone with her grief, which sets out the window.
Scene 103: INSIDE - BELLA PICK-UP - NIGHT
Bella is driving, rubbing the tears away from eyes. Edward is suddenly out of the car, close the window of Bella.
EDWARD: I forgive you. (On the frightened face of Bella) Scroll (but for me the film tells moved)
Bella moves to the passenger side when Edward opens the door, she still holds the steering wheel and, once begins to drive Edward. Bella collapses.
BELLA: Your face ... I used the same words my mother said when she left.
EDWARD: It was the only way.
Edward calmly, almost meditative.
EDWARD Your father is safe now, Bella. The hound is following us.
Suddenly, BOOM! A dark figure jumps on the back of pick-up. Bella screams.
EDWARD: It's okay. It 's just Emmett. Alice is in the car behind!
It takes your breath and feel. Edward would kill to have seen her so scared.
Bella begins to look out the window as they pass through the city ...
AS YOU NOTICED IN THE FILM TO ESCAPE FROM A FIELD HOUSE ARE JUST BEAUTIFUL AND BEAUTIFUL AND EMMETT AND ALICE REACH THEM NOW, AS YOU'LL SEE WHY THIS PLAN TO LEAVE WITH ALICE BELLA EC ALICE IN THE GARAGE AND HAS NOT, AS IN THE BOOK, THE BEAUTIFUL WAY.
Scene 104: BELLA'S POINT OF VIEW - OUTSIDE - Forks COFFEE SHOP - NIGHT
The small town goes to ... SLOW-eyed Bella. ... In the coffee shop we see Mike, Jessica Eric and Angela laughing, flirting, innocent and hopeful ...
Scene 105 EXTERIOR - CULLEN HOUSE - NIGHT
Edward pushes Bella back home, while Emmett check whether they were followed, while Alice is also behind with the Jeep up and down and follow them home ... but freeze when opening the door and Laurent is coming. They immediately become defensive, but Dr Cullen appears.
DR. CULLEN: E 'come to warn us. About James.
They are retreating slightly Laurent and starts talking.
LAURENT: I'm tired of these games. But he senses unrivaled. It is absolutely lethal. In three hundred years I have never seen anyone like him .. The woman, Victoria, will support it. Do not underestimate.
Dr. Cullen babbles thanks. Laurent looks at Edward, as if to apologize.
LAURENT: I'm sorry for what we have unleashed.
And then it goes away and disappears into the woods.
Scene 106: INSIDE - HOUSE CULLEN - WITH 4 CAR GARAGE - NIGHT
The side door opens so disruptive as soon as Edward Cullen and enter, followed by Bella. The lights come up and reveal a garage: the Volvo, the red BMW, the black Mercedes sedan, and SUV. All but Rosalie, are put into action, opening the cupboards to get the supplies and everything you need: cell phones, extra batteries, maps, GPS Portable, change of clothes, cans of gasoline, etc.. Meanwhile, fill the trunks of cars and everything.
JASPER: We've tried to fight our fellow before. We are hard to kill.
EDWARD: But not impossible.
EMMETT: (With desire) the hole with our hands (sorry but I could not find another word .... Is a bit 'raw so !!!), and burn the pieces.
DR. CULLEN: I certainly attracts the idea of killing another creature. Even someone like James.
ROSALIE: Again, if he does not do it first with one of us.
BELLA: (horrified) I can not let him. It 's a crazy
ROSALIE: Too late.
Edward glanced at Rosalie, but he grabs two sets of keys from a hook, passing one of these, the speed Light, Dr. Cullen.
EDWARD: I wear Beautiful South, while you bring the hound out of here.
DR. CULLEN: No, Edward ... the hound you think Bella does not want to leave. Will follow.
ALICE: I will go with Bella. And I'll take Jasper to the south. (And watching) the earth safe, Edward.
Edward dying. Frustrated
Alice approached him.
EDWARD (peer, like a rag) You can take your ideas for you?
Alice hangs his head. Like a silent assent. Edward finally gives in and gives his keys to Alice. Then open the bag of Bella, taking off clothes, throwing them to ...
EDWARD Esme, Rosalie, put these on, so the hound will follow the trail of the scent of Bella.
ROSALIE (dropping the clothes) Why should I? What is she to me? Only a hazard that you have inflicted ...
DR. CULLEN: (turning to her) Rosalie. Bella is with Edward. It 's part of the family now. And we protect our family. It's a
sgurado grim, but you decide to get clothes. Dr. Cullen press the button to open garage doors and shutters impressive start. Then Dr. Edward Cullen fades to the shoulder before he and Esme go up on the SUV. All have now finished uploading the machines are going up on the machine assigned to them ...
In the midst of all this, Edward and Bella steal a moment together.
BELLA: If any of you were hurt because of me ...
EDWARD not happen, we are 5 against 2. When everything is finished I will come back to get you.
He approaches her, which is already on the machine, watching intently in the eye.
EDWARD: You're my life now.
They can not take your eyes off each other ... until it is something else that stops the eye contact: the SUV hurtling at full speed off, leaving Edward to his feet and the trail of the machines which are now empty lots from the garage now.
Scene 107: EXTERNAL - PACIFIC NORTHWEST HIGHWAY - DAWN
The sun begins to rise on the empty street as a faint glimmer, the MERCEDES SEDAN black with tinted windows darting into the street.
Scene 108: INSIDE - MERCEDES - SAME
guide Jasper, Alice in the passenger seat. Bella is behind her eyes are red from crying. Talk to your phone.
BELLA: Mom, me again. You must exhaust the phone. However, they are no longer in Forks, but I'm fine. I'll explain when I call you back.
hangs up, then turns towards the window, watching the Olympic Peninsula green quickly jump in front of her. Also on the face of Bella ...
A SERIES OF FADING FROM DAY TO NIGHT.
show us the landscape that changes from dark forests and deep green to rich collinde grassy expanses, and then another landscape becomes more and more "dry", brown, until the night comes and the blinding headlights of cars whizzing asphalt ..
Scene 109: Omitted
Scene 110: EXTERIOR - FOREST OLYMPIC PENINSULA - DAY
Trees pass as if they were gusts of wind (in the sense that you can not see clearly for speed), until we find Edward, Rosalie and Emmett zipping in and outside the frame, passing through the foggy woods. Edward, the fastest, is leading the group. Then at some point Edward stopped, apparently trying to read the thoughts of their enemies. Rosalie ripping a tiny sample from his shirt, leaving him on a maple tree in bloom. And then after they are already gone.
Scene 111: Omitted
Scene 112: EXTERIOR - ANOTHER PART OF THE FOREST - DAY
Dr. Cullen and Esme are sitting on top of a hill, looking down to the River. Far downstream, see ...
THEIR VIEWS ON THE-LAKE - VICTORIA you look around. Then look in their direction then. Once the Esme Cullen and made sure that she has heard and felt in their wake, they continue to run along the crest of the hill.
Scene 113: Omitted
Scene 114: EXTERIOR - FOREST OLYMPIC PENINSULA - DAY
James shoots and passes the MAPLE IN BLOOM (to Rosalie) - then stops, makes backtrack to the tree, finding a small piece of sample, which had left Rosalie. Then the hunt begins again ... but riferma, smell the cloth. There is something wrong. So begins a run in the opposite direction.
MY COMMENT: I KNEW THAT IT WAS BECAUSE OF ROSALIE !!!!!!
I HAVE ADDED A LOT OF THINGS ....